non certus|certa sum or how to sound wise in Latin by Anthony Gibbins

True wisdom, it has been said, lies in knowing what you do not know. So, here are three expressions that will help you seem wise when speaking or writing Latin. All three make the point clearly - that you are not 100% certain of what you say - and all three are grammatically unobtrusive. By which I mean that they do not affect the words around them, the way a Verb like puto, putare, putavi, putatum I think might. They are;

mea sententia in my opinion. Note, both words are in the Ablative Case.

nisi fallor unless I am mistaken.

ut opinor as I suppose

So, let’s see each of the three expressions in action.

Marcellus sarcinam habet. Marcellus has the suitcase.

mea sententia, Marcellus sarcinam habet. In my opinion, Marcellus has the suitcase.

nisi fallor, Marcellus sarcinam habet. Unless I am mistaken, Marcellus has the suitcase.

Marcellus, ut opinor, sarcinam habet. Marcellus, as I suppose, has the suitcase.

Now, compare that with a Verb like puto.

puto Marcellum sarcinam habere. I think Marcellus to have the suitcase.

I’m not suggesting for a second that you should actively avoid Verbs like puto, but I do like the ease of using these others expressions. Now, go forth and be uncertain.

But, unless I am mistaken, what is situated on the second floor is completely unknown to you. It is now time, as I suppose, to make you more certain about that floor.

the Dative giveth and the Dative taketh away by Anthony Gibbins

Back on February 3rd, I posted a piece on the Dative Case, and its usefulness for Giving, Saying and Showing something To Someone, as well as for Doing something For Someone. There were the following examples;

Claudia donum Mirandae dat. Claudia gives a present to Miranda.

Claudia fabulam Mirandae narrat. Claudia tells a story to Miranda.

Claudia picturam Mirandae ostendit. Claudia shows a picture to Miranda.

Miranda cenam Claudiae parat. Miranda prepares dinner for Claudia.

In the first three Sentences Mirandae is in the Dative Case. In the last Sentence the name in the Dative Case is Claudiae.

What I didn’t touch on in that post is that the Dative Case, which can be used to Give something To Someone, can also be used to Take It Away.

nauta sarcinam viro et feminae dat. The sailor gives the suitcase to the man and woman. Jessica sarcinam viro et feminae aufert. Jessica takes the suitcase from the man and woman.

 

On the roof, moreover, are (versantur) these two people, to whom (quibus) the sailor gave a suitcase and [from whom (quibus)] Jessica took it away. You are able to see them now through the door of the room.

index verborum – aedificia et cetera by Anthony Gibbins

A couple of days ago I decided it would be a sensible idea to start making lists of the words that have appeared in Legonium. I was speaking with a Latin teacher in Boston who uses a great deal of spoken Latin in her classroom. One of the reasons Legonium was popular with her students, she said, was the high level of repetition of vocabulary. I started making lists of Nouns.  I have only worked through the first four episodes, but already have an extensive list concerning the town itself, the buildings, the parts of buildings, and furniture.

Legonium ipsum

oppidum                                  town

via                                           street

aedificium                               building

argentaria                               bank

caupona                                  restaurant

lavatrina vestimentorum       laundromat

taberna                                   tavern

tonstrina                                 barbershop

monumentum                         monument (this was in reference to ancient ruins)

 

Parts of a Building

tabulatum                               story (building)

tectus                                      roof

caminus                                  chimney

maenianum                            balcony

pedeplana                               ground floor

cenaculum                              attic room

conclave                                  room

cubiculum                               room

culina                                      kitchen

sedes officii                            office

scallae                                     stairs/ladder

gradus                                     step

paries                                      wall

ianua                                       door

posticum                                 back door

fenestra                                  window

pavimentum                           floor

 

Things Found in a Building

lectus                                      bed

sella                                        chair

focus                                       fireplace

scrinium                                  desk (in Roman times it referred to a case for papers)

horologium                             clock

pictura                                     picture

 

Without a doubt this building is already well known to you. Situated on the ground floor are a tavern, named the Highlander, and the barbershop of Alan.

The Story So Far: All you need to know before reading Episode Eight by Anthony Gibbins

Okay. There's been some pretty crazy stuff going down in Legonium of late. A few days ago a sailor came into town carrying a suitcase full of money. He gave it to this couple who have a hideout on the roof of a building, in exchange for a huge diamond. But then a woman dressed entirely in black – with a mask and some awesome ninja skills – snuck into their hideout and stole it away from them. Her name is Jessica, but that’s about all we know. Jessica was spotted climbing down the side of the building by Miranda, Legonium’s police officer. There was a  brief confrontation - Jessica knows Miranda's name, and Miranda wants to know how - then Jessica made a run for it. She hid the suitcase in a garbage dumpster to get away; she needed both hands free to climb a drain-pipe. But then, when she came back for the suitcase, Marcellus, a local artist with significant bank debts, had already found it. And the money! By the way, the couple from the hideout were following Jessica too. Although we don't know how much they saw. Yet.

What was Marcellus doing in the dumpster? That’s a really long story, and one I won’t get into here. But it involves the (above mentioned) sailor, an ancient history enthusiast named Claudia, and a barber named Alan. Alan is really cool. A reader from Boston recently commented that he looks like Ron Swanson from Parks and Rec. I can see what she means. Alan has a son named Scipio who once asked for money to see a movie. Is that important? Not really, but it shows he likes movies. Anyway, the couple on the roof have lost a suitcase and Marcellus has recently come into a lot of money. What will he do with it? Wait and see. What should he do with it? That, freinds, is a far more complicated question.

Be well reader. I see that you have returned again. Bravo! Today I have in mind to introduce to you a private investigator.

the (actual) end of episode 7 by Anthony Gibbins

See you back in Legonium, March 1st. quis est Monas Brickvir?

Miranda, the letter having been read through, closed her eyes and fell asleep in her chair. She thought not-at-all about the previous day. She saw nothing in her dream except the ancient city.

(almost) the end of episode 7 by Anthony Gibbins

With today’s page we come to the end of Claudia’s letter, and almost to the end of episode 7. I want to say a huge gratias tibi ago to the Nicholson Museum for allowing Claudia’s visit, and of course to all of you who read and shared and liked this month’s posts. As of this moment, the Squarespace stat-bar tells me that the story itself has been read 1,896 times. euge! The most popular post this month was Pink Floyd: Live at Pompeii, which has been read 219 times. My favourites were urbanitas – you either have it or you don’t, Estelle Lazer and the Bathhouse of Horror and How Claudia met Mary Beard : The Untold Story. I also thank Caroline Brehaut for her excellent posts on Water and Pompeii. It was the perfect start to what I hope will be a long tradition of Legonium Guest Posters. Please, get in touch, if you or a student would like to contribute something (visitLegonium@gmail.com). And finally, thank you to Mary Beard and Estelle Lazer, for agreeing to be a part of Claudia’s journey. See you all soon, back in Legonium!

The sun was now setting and it was time to depart. I am so happy because I visited Pompeii. It was an excellent opportunity.

The Lego model of Pompeii is housed in the Nicholson Museum of The University of Sydney, Australia. Entry to the museum is entirely free, and you may visit Monday to Friday between 10:00 and 4:30. The Nicholson is Australia’s oldest University museum and contains the largest collection of antiquities in the Southern Hemisphere. 

The Pompeii model was commissioned by the Nicholson and constructed by LEGO Professional Builder Ryan McNaught. It is the third such model the museum has exhibited, following the Colosseum and Acropolis.  The Colosseum was returned to McNaught and recently exhibited around Australia. The Acropolis was denoted by the Nicholson to the Acropolis Museum in Athens. The Pompeii model is estimated to include 190 000 bricks and took 420 hours to complete.

Mary Beard’s Pompeii: The Life of a Roman Town by Anthony Gibbins

As we near the end of our time in the ancient city, I should like (velim) to recommend to you Mary Beard’s Pompeii: The Life of a Roman Town. It is a fascinating account of what we know about Pompeii, and how we know it. Below are the first  page and a half of the introduction. They invoke the archaeological record to sing of what it would have been to die in Pompeii. The heart of the book, meanwhile, explores what it would have been to live there.

Life Interrupted

In the early hours of 25 August 79 CE, the rain of pumice falling on Pompeii was easing off. It seemed a good moment to leave the city and make a bid for safety. A straggling group of more than twenty fugitives, who had been taking shelter within the walls while the dreadful downpour had been at its worst, took a chance on one of the eastern gates of the city, hoping to find a way out of the volcanic bombardment.

A few others had tried this route some hours before. One couple had fled, carrying just a small key (they presumably hoped one day to return to whatever it locked – house, apartment, chest or strong box) and a single bronze lamp. This can hardly have made much impact against the darkness of the night and the clouds of debris. But it was an expensive and fashionable object, moulded in the shape of a black African head – a hint of the (to us) disconcerting forms of ingenuity we shall often come across in Pompeii. The pair didn’t make it. Overwhelmed by the pumice they were found in 1907 where they had fallen, next to one of the grand tombs which lined this road, like others, out of the city. They collapsed, in fact, next to the lavish memorial to a woman who had died perhaps fifty years before, Aesquillia Polla, the wife of Numerius Herennius Celsus. Just twenty-two years old (as we can still read on the stone), she must have been less than half the age of her husband, a member of one Pompeii’s most prominent families, who had served as an officer in the Roman army and had twice been elected to the highest office in the city’s local government.

The layers of pumice had built up to several feet by the time the other group decided to risk escape in the same direction. Walking was slow and difficult. Most of the fugitives were young men, many carrying nothing with them, either because they had nothing to bring or they could no longer get to their valuables. One man had taken the precaution of arming himself with a dagger, in an elegant sheath (he had another sheath with him too, empty, because he had perhaps lost or lent the weapon it had held). The few women in the group had rather more. One carried a little silver statuette of the goddess Fortuna, ‘Good Fortune’, sitting on a throne, plus a handful of gold and silver rings – one with a tiny silver phallus attached by a chain, as a lucky charm perhaps (and an object we shall often meet in the course of this book). Others had their own little store of precious trinkets: a silver medicine box, a tiny base to hold a (missing) statuette and a couple of keys all stuffed into a cloth bag; a wooden jewellery case, with a necklace, ear-rings, silver spoon – and more keys. They had also brought what cash they could. For some just a loose bit of change; for others, whatever they had stashed away at home, or the takings of their shop. But it was not much. All in all, between the whole group there was barely 500 sesterces – which is in Pompeian terms about what it costs to buy a single mule.

Some of this group got a little further than the earlier couple. Fifteen or so had reached the next grand memorial, twenty metres further down the road, the tomb of Marcus Obellius Firmus, when what we know as the ‘pyroclastic surge’ from Vesuvius wiped them out – a deadly, burning combination of gases, volcanic debris and molten rock travelling at huge speed, against which nothing could survive. Their bodies have been found, some mixed up with, even apparently still clutching, branches of wood. Maybe the more agile amongst them had taken to the trees which surrounded the tombs in a hopeless attempt to save themselves; more likely the surge which killed the fugitives also brought the trees crashing down on top of them.

She in turn greeted me in a friendly manner. I asked her many things about Pompeii and she asked me about my journey. (I have read all of the books written by her).

The Lego model of Pompeii is housed in the Nicholson Museum of The University of Sydney, Australia. Entry to the museum is entirely free, and you may visit Monday to Friday between 10:00 and 4:30. The Nicholson is Australia’s oldest University museum and contains the largest collection of antiquities in the Southern Hemisphere. 

The Pompeii model was commissioned by the Nicholson and constructed by LEGO Professional Builder Ryan McNaught. It is the third such model the museum has exhibited, following the Colosseum and Acropolis.  The Colosseum was returned to McNaught and recently exhibited around Australia. The Acropolis was denoted by the Nicholson to the Acropolis Museum in Athens. The Pompeii model is estimated to include 190 000 bricks and took 420 hours to complete.

How Claudia met Mary Beard : The Untold Story by Anthony Gibbins

Professor Mary Beard first wrote about Lego Pompeii in A Don’s Life (The Times Literary Supplement) on January 23rd, 2015. ‘If you're looking for a reason to visit Australia in 2015,’ the piece begins, ’let me suggest a visit to the new Lego Pompeii in the Nicholson Museum.’ The article contains a wealth of information, about what and – more importantly – who appears in the model. Mary gives a shout out to Estelle Lazer, Andrew Wallace-Hadrill and Johann Joachim Winckelmann, among others. She concludes, ‘Oh and just round the corner, there's me on my bike. I'm jolly proud to be there. Thanks to you all at the Nicholson!’ It is a fun article, and got a huge – and, I should say, mixed – response.

When I decided to ask the Nicholson if I might shoot an episode of Legonium on the Pompeii model, the first thing I did was write to Professor Mary Beard. It was, for me, a really big deal. Would she, I asked, allow me to include her (in mini-figure form) in a story set in an imaginary world, told in Latin and illustrated with Lego photography. I wasn’t holding my breath. To my surprise, a response arrived the very next day. Delighted, she said. But I would have to be quick. The Nicholson’s Curator, Michael Turner, had promised that she could have the figure when they were done with it.

Michael Turner, as I understand it, was the brains behind Lego Pompeii (and Lego Acropolis and Lego Colosseum). He saw it, as Professor Beard points out in her article, as a way of engaging with young people and drawing them towards the Classics. I have met Michael on a few occasions. He is lively, generous, enthusiastic and inspiring. When I arrived to photograph the Pompeii model he had just left the Nicholson – he was Senior Curator from 2005 to 2016 – for other pursuits. And, I was told, he had taken Mary Beard (minifigure form) with him! He was traveling to the UK and had taken Lego Mary as a gift for the real Mary Beard. Great for Mary, but a setback for me. Dr Craig Barker, The Nicholson’s Manager of Education and Public Programs, came to the rescue. He contacted Ryan McNaught, the model’s creator, and asked if he could assemble a second Mary Beard. A few weeks later it arrived.

Professor Mary Beard is a legend. She is an outstanding historian and has done more than anyone else I can think of to make the ancient world accessible without removing any of its complexity or mystery. Reading her work, one is left with a much greater understanding of not only what we know, but also where those limits of knowledge are reached. And a feeling that understanding what we don’t know is at least as interesting as knowing what we do. Moreover, forced recently to confront the ugly that is the internet troll movement, she has done it with a strength, dignity and confidence that they simply cannot reckon with. Claudia is not a real person. All I know of her is that she is a thoughtful young woman with a deep interest in ancient History. But that alone leads me to think that it would be a great thrill for her to meet Professor Mary Beard.

Then - miraculous to say! - Professor Mary Beard, a most expert person, arrived there by bike. I approached most bashfully and greeted her.

The Lego model of Pompeii is housed in the Nicholson Museum of The University of Sydney, Australia. Entry to the museum is entirely free, and you may visit Monday to Friday between 10:00 and 4:30. The Nicholson is Australia’s oldest University museum and contains the largest collection of antiquities in the Southern Hemisphere. 

The Pompeii model was commissioned by the Nicholson and constructed by LEGO Professional Builder Ryan McNaught. It is the third such model the museum has exhibited, following the Colosseum and Acropolis.  The Colosseum was returned to McNaught and recently exhibited around Australia. The Acropolis was denoted by the Nicholson to the Acropolis Museum in Athens. The Pompeii model is estimated to include 190 000 bricks and took 420 hours to complete.